Counterpunch on Global Warming

A commenter named RobW at Deltoid has pointed out that Alexander Cockburn has joined the ranks of global warming denialists with an article on the Counterpunch site. Now I haven’t been reading it much lately but I used to read Counterpunch quite a bit, and in fact still have a current subscription. I don’t agree with everything there, and have no problem with that, but this article strays beyond matters of opinion.

Cockburn starts with some comments about carbon trading and comparing it with those who payed the Catholic church to absolve their sins. I’ve seen a comparison like this before, I believe it was in New Internationalist in their issue on carbon offsets. In that case there was a valid point to be made, there are many issues surrounding carbon offset schemes that are of concern and valid criticisms to be made, but Cockburn applies this comparison to anyone concerned about their carbon footprint. He justifies this by claiming that there is no scientific basis to anthropological global warming. How does he reach this conclusion? Well, throw away that nice new IPCC report, it’s all rubbish because Alexander Cockburn knows a guy who spent 3 years as a meteorologist who said that humans don’t cause global warming. OK, he showed him a graph too. Unfortunately we don’t have the privilege of seeing this graph, but he does at least describe it to us (has he heard of the saying “a picture paints a thousand words”?).
The graph in question compared industrial output with atmospheric CO2 concentrations. We aren’t given a source for this graph, in particular where the measurements come from. Reliable C02 measurements started in the late 50s with Mauna Loa, so I’m immediately suspicious of measurements from the depression era. Cockburn does mention earlier measurements coming from ice cores, so my best guess is that he was looking at something like this. I would question how accurately you could resolve trends over such small time periods with this data. In fact, his description of how smoothly the C02 concentration rises makes me suspect that he is looking at something like this data which has been smoothed using a spline fit. Of course, without knowing his source this is speculation, but I don’t know of any data from pre-Manau Loa which gives the sort of accuracy that he seems to be describing. You can compare with this graph of industrial emissions and decide whether it is the devastating critique that he claims it is.
Especially in light of the fact that the human contribution to atmospheric CO2 concentration is supported by the mix of carbon isotopes in the atmosphere.

Next he brings up the old claim that because there’s so much more water in the atmosphere, then it must be more important to global warming than CO2. This has been dealt with here.

Next is the claim that because there was more CO2 in the Eocene period when there weren’t cars then that is some sort of problem for the AGW theory. This relies on such an obvious fallacy that I barely feel the need to address it. So his claim is that since CO2 has been at higher levels in the distant geological past, then the increase must be natural now, despite the fact that we’ve been digging up fossil fuels out of the ground and burning them at a furious rate for the past 100 years or so. To imply that this is some sort of embarrassing secret swept under the carpet by climate scientists is ridiculous.
He then throws in some unsubstantiated claims about the medieval warm period, once again implying that it requires subterfuge on the part of “greenhousers” to deal with, you can get the real story from Coby Beck.

He brings up the lag between temperature and CO2 in ancient glacial cycles as if it is a recent development, however it has long been understood. It was recently dealt with on Real Climate, but note the link back to a post from 2004 on the same topic. The claim that the current climate trend is due to Milankovitch cycles seems to be based purely on the idea that a CO2 increase must be due to some naturally caused warming. I know of no credible claims that the Milankovitch cycles should be currently causing warming, unless he thinks that we are warming after the little ice age – but this can’t be attributed to the cycles either.
Finally there is a bizarre mention of the heat from the Earth’s core. It reminds me of the fellow (whose name escapes me) who used to post on various blogs (such as Deltoid) about how the dominant influence on climate was the heat from the core. I’ll leave it as an exercise to the reader to work out where that theory goes wrong. Anyway, I’m not suggesting that Cockburn subscribes to this theory, but I have no idea why he brought it up. It seems to be part of some sort of appeal to incredulity thrown in for good measure.
So overall, some guy with dubious qualifications in climate science (“a lifelong mistrust of climate modeling”) claims that the vast majority of working climate scientists are wrong, and Cockburn uses it as a basis to insult all those who are concerned about climate change as gullible fools.

Update: Real Climate have written about this as well now.

Update II: Cockburn vs Monbiot.

[gigs] Deja Vu

Two weeks ago I recommended gigs by Satan’s Cheerleaders and Little Ice Age, and this week I’m going to do it again. Except this time they’re not on the same night! Last time I managed to catch pretty much just the last song by each of them, and in both cases I was disappointed to have not seen more.
This weekend we have the Cheerleaders at the Cranchor Friday night at about 9:30, and LIA at FAD for just $5 on Saturday. LIA will be on at 10:15, with supports Forgotten Winter at 9:15.
Also one more new gig coming up, the Beasts of Bourbon have a new album out and are back on the road. They play at the Gov on June 15.

APRIL

27th – Satan’s Cheerleaders at the Crown & Anchor, 9:30.
28th – Little Ice Age with Forgotten Winter at FAD, $5.
28th – Taught By Animals at the Crown & Anchor
MAY
4th – Ninetynine at Producers or Electric Light or whatever it’s called.
10th – Love of Diagrams at Jive.
26th – DJ Food, now seems to be at Rocket. It seems that these days DJ Food is just Strictly Kev, but he’ll be joined by frequent collaborator DK.

JUNE
1st – Art of Fighting and Subaudible Hum at Jive.
9th – Brunatex at the Wheatsheaf
11th – DJ Shadow, Kool Keith and others at the We Love … Sounds festival at Adelaide Shores.
15th – Beasts of Bourbon at the Gov.
16th – Brunatex at Electric Light.

AUGUST
Maybe The Shins

On the Stereo
The Dead CRelax Fallujah Hell Has Come 7″ (Ba Da Bing)
Straitjacket FitsHail cd (Flying Nun)
Underground LoversLeaves Me Blind cd (Polydor)
Wooden Wand and the Vanishing VoiceThe Flood cd (Troubleman Unlimited)
Susanna and the Magical OrchestraList of Lights and Buoys cd (Rune Grammofon)
Pan-AmericanQuiet City cd (Kranky)
VariousJazzactuel 3cd (Charly)
Curse Ov DialectWooden Tongues cd (Mush)
El-PI’ll Sleep When You’re Dead cd (Def Jux)
VariousBlechsdöttir cd (Warp)

My Name Is Albert Ayler in Melbourne

I’ve been waiting for ages for a chance to see the documentary My Name Is Albert Ayler (reviews here), but so far it hasn’t even made it to Australia at all. I had hopes when I saw that the Adelaide Film Festival had a section on music documentaries but it wasn’t to be. Now, according to the film’s official website it is to screen at the Melbourne International Film Festival. I thought I’d really had a stroke of luck since I was thinking of going to Melbourne in July anyway … but unfortunately the festival starts on July 25 by which time I’ll be back in Adelaide for work. I suppose I can still hold out hope for an Adelaide screening.

[gigs] The Renderers this weekend

For the next three nights The Renderers from New Zealand are playing at various venues. They got started in the early 90’s on the Flying Nun label, have at times included members of The Dead C and Look Blue Go Purple (two of my favourite kiwi bands) and have played as Will Oldham‘s backing band on an NZ tour – well that’s certainly enough to get my interest. I reckon I’ll go tonight, and then perhaps tomorrow if I like it enough. On Saturday I’m more likely to check out Lotek at the C&S.

Update: Just realised something about the gig tonight. As mentioned in the previous post I keep a list of the gigs I go to, and while it isn’t necessarily complete, and there is some difficulty at times in determining what counts and what doesn’t, for what it’s worth the gig tonight will be number 400 on the list. I was curious about what the other milestones were, so I looked them up:
100: Flat Stanley at Madlove Bar, 1/8/98
200: DJ sets from James Lavelle and Dave Dogs at Minke 29/11/01
300: NUN with very memorable support from Justice Yeldham and the Dynamic Ribbon Device at the Jade Monkey, 16/12/04

Also, next week there is another gig by Satan’s Cheerleaders. I only caught the end of their set last week (having already been to Spindickle at the Grace, and Little Ice Age at the Wheaty), but it sounded fantastic. Very keen to see them again.

Also pretty excited about those upcoming gigs by Ninetynine, Love of Diagrams, Art of Fighting and DJ Food. Plenty of good stuff coming our way. On the topic of DJ Food, there is a new DJ mix out by DJ Food & DK, called “Now Listen Again”. It is a follow up to their earlier contribution to the always excellent Solid Steel series.

APRIL

19th – The Renderers at Electric Light, in the beer garden from 9:30. Free!
20th – The Renderers at the Exeter.
21st – Lotek from the Big Dada label. UK hip-hop.
21st – The Renderers at the Prince Albert.
27th – Satan’s Cheerleaders at the Crown & Anchor
28th – Taught By Animals at the Crown & Anchor
28th – Little Ice Age at FAD.
MAY
4th – Ninetynine at Producers or Electric Light or whatever it’s called.
10th – Love of Diagrams at Jive.
26th – DJ Food at the Crown & Sceptre.

JUNE
1st – Art of Fighting and Subaudible Hum at Jive.
9th – Brunatex at the Wheatsheaf
11th – DJ Shadow, Kool Keith and others at the We Love … Sounds festival at Adelaide Shores.
16th – Brunatex at Electric Light.

AUGUST
Maybe The Shins

On the Stereo
Love of Diagrams Mosaic cd (Matador)
The Dead CVain, Erudite and Stupid 2cd (Bada Bing)
Hit the JackpotClowns cd (Fken Stoner)
Avant Gardenerss/t cdep (A Perfect Gentleman)
DeerhoofFriend Opportunity cd (Trifekta / Kill Rock Stars)
Camera ObscuraLet’s Get Out of this Country cd (Popfrenzy)
VariousMestizo Music: Rebelión en América Latina cd (Trikont)
PoleSteingarten cd (~scape)
Rova::OrkestrovaElectric Ascension cd (Atavistic)
Cecil TaylorConquistador! cd (Blue Note)

Do you know when these gigs were?

I keep a list of all the gigs I go to, because that’s the sort of person I am, but I didn’t start writing them down until I’d already had a few years of going to gigs. As a result some of the details, particularly dates of some of the early ones are a bit sketchy or non-existant. Occasionally I do an internet search and these details turn up, sometimes bands put up lists of all the gigs they’ve played, or someone else puts up a list of all the gigs they’ve been to or whatever.
Now I thought I’d try something different – I’ll put up a list of the gigs I need details for in the off chance that someone will come across them and be able to help out. All gigs are in Sydney.

Update: A number of friends who were at these have stopped by as well, so it’s turning into a bit of a group reminscence so I’ll throw in some extra memoriesof some of the gigs in italics.

  1. Screamfeeder supported by The Daisygrinders at the Annandale sometime in ’94, probably the second half of the year.
    It was quite packed and a couple of guys were standing on the covered pool table at the back. They got a bit too enthusiastic and busted the cover.
  2. Kim Salmon & the Surrealists with Kiss My Poodles Donkey at the Birkenhead Pt Tavern, in ’94 after May.
  3. Ed Kuepper at the Eastwood Hotel, 1994 touring Character Assassination with Mark Dawson on Drums & Linda Neill on violin.
  4. Zambian Goat Herders and Lawnsmell at the Vulcan Hotel in Ultimo, 1994.
    I remember telling my friends that I’d seen this guy watching Lawnsmell who might be Ed Kuepper. It probably wasn’t though.
  5. Trout Fishing in Quebec, lunchtime gig at the UNSW bar, 1994
  6. Martin Plaza at the Powerhouse Museum in January 1995. It was one of a series of gigs associated with the Real Wild Child exhibition about Australian rock music. I saw Def FX on the 25th, I have a suspicion Martin Plaza was about a week before that.
  7. The Pure and Frenzal Rhomb at the Collector Tavern, 1995. The Pure were a band from Canada who did some extensive touring around Sydney and got a bit of attention on community radio. I never heard of them again though.
    The crowd went pretty nuts to Frenzal Rhomb. I remember someone hanging from an airvent in the roof.
  8. Quadbox at Feedback. This was the night after number 7 above. I believe that Quadbox and Frenzal Rhomb shared a drummer at the time. For some reason I’m thinking that it was around Easter but that might be completely wrong.
    I’m pretty sure that I went because a different band had been advertised in the street press, I’d never heard of Quadbox before. It was probably the Zambian Goat Herders who I was expecting to see.  Gibbo says in comments that it was Lawnsmell and I think that sounds correct.
  9. Tumbleweed at the Collector Tavern in 1995. Have no idea who the support was.
  10. Zambian Goat Herders at the Bowlow in 1995. I remember that they played Rockaway Beach by the Ramones. I should see if I’ve still got my Bowlow membership card somewhere – that was probably the night that I got it. (Update: Not as silly an idea as it might sound. A quick search turned up a number of other artifacts from the same era including my UNSW student card, a membership card for the Wentworthville Video Ezy, and an Australian Bridge Federation Membership. But not the Bowlow membership but I expect it’s around somewhere.)
  11. Ed Kuepper at the General Bourke in 1995. I know there is a bootleg of an Ed show at the GB in ’94 but this one was definitely ’95. He would have had Mark Dawson with him.
  12. Ed Kuepper at the Metro. He played two sets, one solo and one with Mark Dawson. Great show. Again in ’95 I think it may have been pretty soon after the GB one above, but since Ed was living in Sydney at the time he did play fairly often.
  13. Quadbox at the Sandringham in Newtown ’95. I don’t remember anything about this at all!
  14. Kim Salmon & the Surrealists at Feedback, supported by Quadbox, ’95. I vaguely recall Quadbox doing a Beastie Boys cover. Don’t remember anything specific about KS, but I saw lots of his gigs around then.
  15. Underground Lovers at the Metro in August ’96. Not to be confused with their show at the same venue on May 10 (the May one was supported by Glide, don’t know the support for Aug … I have a feeling it might have been these guys that wore some sort of masks but that might be completely wrong)
  16. Swirl at the Annandale in November ’96. Not to be confused with their show at the same venue on Aug 22.
  17. Glide at the Annandale some time in the second half of ’96. I’d seen them there in August, but this was later. It may have been the one where they had a second guitarist for the first time in ages.
  18. Crow at the Annandale some time after July ’96. I’m pretty sure that when I saw them there in July Peter Archer was still in the band, but at this later gig he wasn’t.
  19. The Verys at Feedback in ’96. Was probably their last ever Sydney show.

I know that there are a few regular readers who were present at some of these – I encourage you to share any memories you have of them in comments.

[gigs] Ninetynine return to Adelaide

It’s been over 6 years since I last saw Melbourne band Ninetynine, so I’m very happy to hear that they are coming back to Adelaide next month, even more so because I think that their latest album Worlds of Space, Worlds of Population, Worlds of Robots could well be their best. The Unstable Ape label are really giving us Adelaideans a treat with Love of Diagrams the following week (how about Zulya next?).
Also in new announcements this week, Lo-Tek, who I believe to be one member of Big Dada label act Lotek Hi-Fi is playing Saturday week (21st) at the Crown & Sceptre. As well as that, I see that their website is advertising the DJ Food show for May (they seem to have good connections with Ninja Tune).
Also on hip-hop there is a festival on at the Adelaide Shores complex in June which will feature DJ Shadow and Kool Keith, as well as a number of others.

Finally, tonight is already a crowded night for gigs with the Satan’s Cheerleaders gig at FAD, and Little Ice Age at the Wheaty, but I should also mention that Soursob Bob has a cd launch at the Grace supported by the excellent Spindickle. And don’t forget Really Good in Theory tomorrow – both the market and the gig.
APRIL
13th – Little Ice Age and Running With Horses at the Wheatsheaf.
13th – Satan’s Cheerleaders at FAD.
13th – Soursob Bob cd launch, with Spindickle at the Grace Emily.
14th – Really Good in Theory at Urtext. Market from 12-5pm, gig from 8:30 including Home for the Def and Aviator Lane.
21st – Lotek from the Big Dada label. As well as the Lotek Hi-Fi releases he has been involved with Roots Manuva.
MAY
4th – Ninetynine at Producers or Electric Light or whatever it’s called.
10th – Love of Diagrams at Jive.
26th – DJ Food at the Crown & Sceptre.

JUNE
1st – Art of Fighting and Subaudible Hum at Jive.
11th – DJ Shadow, Kool Keith and others at the We Love … Sounds festival at Adelaide Shores.
AUGUST
Maybe The Shins?

On the Stereo
The Dead C / Hi-God PeopleSplit 12″ (Nervous Jerk)
NinetynineWorlds of Space, Worlds of Population, Worlds of Robots cd (Unstable Ape)
Love of DiagramsThe Target is You cd (Unstable Ape)
Einstürzende NeubautenPerpetuum Mobile cd (Mute)
SubtleWinter cd (no label)
StinaPocket Songs cdep (Meupe)
Farmers ManualNo Backup cd (Mego)
General MagicFrantz cd (Mego)
TyCloser cd (Big Dada)
Roots ManuvaAwfully Deep cd (Big Dada)

Open Day at the Food Forest

The Food Forest at Gawler are having an open day this Sunday April 15, here is the press release:

An incredible range of  fresh organic food will be available for tasting at an Open Day at The Food Forest permaculture farm and learning centre at Gawler on Sunday 15 April.
The property is home to some 150 varieties of fruit, nuts, vegetables and herbs and autumn is harvest time! Apart from freshly pressed apple juice and the perennially delicious pistachios, the unique flavour of the desert-dwelling jojoba bean and the extraordinary taste of carobs will remind the public that they are visiting one of Australia’s most amazing farms. The Food Forest uses a fraction of the water and the energy that normally goes into producing a kilo of food, basically through intelligent garden and farm design, which includes recycling water through reedbeds.
Another clever technique on display is building with straw bales; there will be a builder, an  architect and an engineer who specialize in straw bale construction to lead visitors around the display buildings which also feature solar hot water, photovoltaic power and passive solar design. 
Permaculture design, organic gardening, food self sufficiency and how to keep chooks in the suburbs, add to the smorgasbord of sustainable tricks on the 15 hectare urban farm.
Visitors will be able to meet the management team which was recognised in the Nature Foundation Awards as running  SA’s top small business for Environmental Responsibility and Leadership; this follows the Premier’s Food Award for Leadership through Sustainable Industry and the Organic Federation’s Best Organic Producer in Australia. 

The Open Day will be in two parts, with Strawbale Building Information from 10am sharp-1pm  ($15) and Permaculture talks and inspections from 2pm sharp –5pm ($10). Visitors can also purchase a full-day ticket ($20) and bring a picnic lunch. Children under 16 free. Organic produce will be for sale.
The address: Clifford Rd, Hillier. Phone 85 226450

I’ve been wanting to check it out for some time, so this sounds like the perfect opportunity.

Happy Birthday to The Necks

Today is the 20th birthday of the Australian trio The Necks. Here’s where it started in their own words:

On Thursday 9th April, 1987 we gave our first public performance as The Necks, to about 120 people at the Old Darlington School, Sydney University, Australia.

I wasn’t one of those 120 people, which isn’t so surprising since I was still in primary school and my gig-going hadn’t quite taken off yet (and I’d rather not think about what I would have been listening to at the time). In fact, even once I did start going to gigs I was a bit slow to catch on to The Necks, first seeing them at the Governor Hindmarsh in Adelaide on the 25th of February 2001. Since then I’ve seen them another 6 times, which is probably every Adelaide show in that time.
The band is made up of Chris Abrahams on Piano, Tony Buck on drums and Lloyd Swanton on bass. A typical live show consists of two improvised sets of around 50 minutes each – a rough guess based on the live recordings I have (before I get a deluge of Necks fans after bootlegs I should point out that I’m referring to the commercially available 4 disc set), you tend to lose track of time once they get going. Out of these three instruments they are capable of conjuring up endless possibilities, and no two sets are the same. It can take a bit of patience on the part of the listener as they build up a piece from scratch, but once they get going they can be one of the most exciting live music experiences I’ve known. I’d single out the second set at the Space Theatre 12/2/05 as a personal favourite, here’s a review of the whole show that I wrote at the time:

The first set began with Abrahams repeating a gentle
piano figure which was puncutated by Swanton bowing his bass and some subtle
contributions from Buck. They very quickly established a relaxed atmosphere but
seemed to have trouble finding the next step. Abrahams lead the way, but I felt
that it was quite some time before they really found common ground. First to
really lock in with Abrahams was Buck, though still Swanton was just hanging
around the edges trying to find a way in. Quite suddenly Swanton started
playing a bass line that fit perfectly and it was clear that they’d all arrived
at the same place. This moment happens in every Necks performance, while they
may have taken a little longer than usual, everything afterwards was great.
Soon afterwards Abrahams decided to push things further rather than settle into
a comfortable rhythm. With an unusally sharp change he began playing in a
stacatto style so that it was as if he was playing through a delay effect. In
the meantime the rhythm section locked together and Buck was exploring more and
more complex rhythms, gradually incorporating all of his kit. Against this
steady background Abrahams attacked his piano producing great sheets of black
noise and bringing it all to a dramatic conclusion. While not one of their best
sets there were some fascinating and fairly uncharacteristic moments, and
Buck’s drumming in particular was a real standout.

After an intermission they were back for the second set, by now they’d hit
their stride and it was brilliant from start to finish. I think they record all of
their shows and if they were to release this set I’d get a copy without
hesitation. The first section was based around some very unusual melodies played
on the piano by Abrahams. His timing was quite loose and he seemingly made use
of all twelve tones giving a feel akin to modern composition (rather than
“jazz” which is usually a lazily applied label for the Necks). Buck accompanied
this with some appropriately unusual percussion making use of various extended
techniques including scraping a drumstick around a cymbal and around the
snare. Swanton’s contribution here was minimal but perfectly fitting, they all
fit together beautifully right from the start. The overall effect was
fascinating, a truly unique combination of sounds which worked remarkably well
together. The intensity was slowly cranked up until Abrahams cut loose with
some rather more convention melodies. Around this time Swanton took up his bow
again, though no longer with the tentative approach of the early parts of the
first set. For a long time Abrahams played in a beautiful melodic style, but
gradually he introduced slight notes of discordance, little jumps in tempo and
some complex counter melodies, it was in this section that he really stood out.
Eventually this all built up into another violent attack on the piano keys but
in the meantime Swanton really became the focus as the intensity of his bowing
increased. Buck’s playing by now was forceful as well as the trio produced a
wall of noise. With your eyes closed you could here strange harmonies arising
from the din, as if the audience around you were calling out with their voices.
Open your eyes again to watch Swanton as he becomes the focus of attention
bowing his bass in a ferocious trance. The piano and drums slow down and leave
the bass frantically screaming the last few notes of the performance, and then the
rapturous applause. Despite a shaky beginning the Necks have once again
succeeded in building something incredible and revelatory out of nothing.

Bicycle Commuting in Adelaide: A guide for beginners

Recently I’ve had a couple of discussion with friends about riding bikes on the road, I thought I might set out some of my ideas in a post. I use a bike to go pretty much everywhere, so I’m out on the roads every day, but I only started riding regularly about 4 years ago, so I can still remember what it is like to be a bit intimidated by the idea of riding on busy roads. All of my riding has been in Adelaide so there’ll be a fair bit of Adelaide-specific comments, but much of it should be generally applicable.

First, you have to know the rules. About the easiest way to sum those up is that they are the same as for cars. There are a few bike specific rules, but if you know the road rules then you pretty much know all you need to know. So if you’re not a motorist then a good starting point before taking to the road is to real the road rules – not just for yourself but also so you know what to expect from other road users. You can read more at Transport SA.
Next you need to be confidant with your riding and have good control over your bike. If you’re pretty new to cycling altogether then it would be a good idea to get a bit of experience on recreational bike paths and quiet suburban streets before taking to the main roads. If you still have to concentrate on the act of riding itself, then you won’t be sufficiently aware of what’s going on around you on the road. You should be able to maintain your course while checking back over your shoulder, and when there are distractions around. You should have the confidence to ride close to others, or through fairly narrow spaces while keeping steady.

OK, so now you’re ready to start commuting. When you’re new to it a good idea is to plan your trips first, some of the major roads (eg South Rd, Main North Rd, North East Rd) aren’t much fun, and even experienced cyclists may like to avoid them. The best thing to do if you’re in Adelaide is to check out the Bike Direct maps provided by Transport SA. These show good routes for cyclists which can get you anywhere around Adelaide. They distinguish between off road bike paths, main roads with bike lanes, smaller roads with bike lanes, and smaller roads which are suitable for cyclists. Using these you should be able to get wherever you are going without encountering too many traffic problems.
Some tips for once you get going:

  1. Don’t ride on footpaths. For a start it is illegal unless you are a kid. Secondly I don’t think it is safer than the road, riding across driveways and cross streets as you go along a footpath is potentially dangerous. Of course, if there are any pedestrians about you are a danger to them as well.
  2. Be aware of your rights as a road user and assert them. This means that you don’t need to go along hugging the curb -in fact this is often dangerous, especially if you ride close to parked cars which might have doors opening. You are entitled to take up a lane and should do so if necessary for safety. Of course, you should also be considerate to other road users and move aside when it is reasonable to do so. Also, you should also be aware that many motorists may not be aware of your rights, so be prepared for this and exercise caution.
  3. Wear bright colours, I would recommend a reflective vest or jacket. This is particularly important at night, but I tend to wear one all the time for better visibility.
  4. If you ride on shared paths then respect the rights of pedestrians. Make sure you have a bell to warn them of your approach.
  5. Right turns at intersections can be a bit daunting. You are entitled to move across into the right lane to turn right just as cars do, but this can be difficult on a busy road, and if you are a beginner you might not feel confident about moving right out onto the road. There is an easy solution, you can do a two stage “hook turn”. This means you cross the intersection as if you are going straight ahead, and then pull over at the other side of the cross road, then turn your bike to face right and wait for the lights to change the other way. This way you stay on the left of the traffic the whole time.
  6. You can move up past traffic waiting at intersections, but you can’t overtake someone on the left if they are turning left – which should just be common sense but I see it happen a lot. You’ll find that you’ll get used to certain intersections which you use regularly and will be able to judge when it is safe to move through the front of the traffic by knowing the order of the light changes and so on. If you are not particularly familiar with a major intersection then you should exercise caution.
  7. (Added 10/4) You should make sure you have the correct equipment. Apart from a helmet, if you want to use a bike for commuting then you’ll want to leave it without it being stolen so a lock will be necessary. A D-Lock is the best, though how much you want to pay for a lock will depend on how much your bike is worth. My first bike I used for commuting cost less than a D-Lock so I didn’t bother getting one! The bike didn’t get stolen, but it wasn’t too long before I wanted an upgrade. If you are going to ride at night – and while you might not when you get started pretty soon you will want to – then you will need lights. A white one for the front and red one for the back. I’m always impressed every time I go to buy a new light because they get better all the time. Now it is quite easy to get compact lights that run on common types of batteries which are very bright, and they are quite inexpensive. Even so, you may want to remove them and keep them with you when you lock up the bike.
    As mentioned in comments by The Don you will also need equipment for repairing punctures, though I tend not to take that stuff everywhere I go – I have the convenience of keeping repair kits at home, and in my office in the city, so for most of my commuting I’m not too far away from either of these.

That’s about all I can think of for now, I may add more later if anything else comes to mind. (Note – I did add an extra point)
Please contribute additions, differing opinions, questions etc to comments.

As a final point, I’d just like to add that once you get it in to it you very quickly get used to riding in traffic. While it is appropriate for people to be cautious, I’m disappointed at how many people seem to be put off commuting by bike because of concern for their safety on roads. Any road use can be dangerous – as a motorist, cyclist or pedestrian – but if you are sensible about it then it can be a safe way to get around that is environmentally friendly, much cheaper than driving, more convenient than public transport, good exercise and lots of fun. And the more people that get out on bikes then the safer it is as motorists become more accustomed to sharing the road with bikes.

[gigs] Some extra gigs

After putting out the gigs post a couple of days ago I heard about a few more things (from the following sources: What’s On in Adelaide, dB Magazine, The talented Mr Ridley)

Before getting into the gigs I’ll mention that Mike Cooper‘s live score for Onibaba at Urtext last night was fantastic, unfortunately not too many people were there to enjoy it though. Daniel Varicchio‘s solo guitar set was great as always as well.

Now for the gigs:

This Sunday Taught By Animals play at the Jade Monkey. UPDATE: Sorry about the late notice but I’m not entirely sure that this gig is actually on – according to the band’s website they are playing at the Grace, but according to the Grace’s website (and RIU) there is something else on there. The Jade don’t have anything listed for tonight and dB have no listing for the band or the venue.
On next Friday (the 13th) Satan’s Cheerleaders play at FAD. Fans should listen out for some new material in the set.

Next Saturday (14th) sees the return of Really Good in Theory – an event in two parts. First there’s the local produce market from 12-5pm where you can buy direct from local record labels & DIY publishers. Then from 8:30 there’s a gig featuring local bands including Home for the Def and Aviator Lane for just $7. It all takes place at Urtext.

UPDATE: here is some more info from A Perfect Gentleman:

it’s happening again! REALLY GOOD IN THEORY! the yearly celebration of all things DIY! fits in nicely with
the recent DIY celebrations through out adelaide recently. so here’s our bit…

SATURDAY APRIL 14TH at URTEXT (level 2, 14 Grenfell Street, Adelaide).

from midday until 5pm there will be a local produce market featuring records/cds/zines/badges/books/
other stuff. new and secondhand. stalls from the likes of…

fuken stoner/blank tapes/ec productions/patterns in static/smashed records/salvage music/ministry of
zines/mercy mercy records/spiral objective/paroxysm press/noisy distribution/analog apocalypse zine/
trading hearts/two bucks records/and more

and of course we’ll have a table of APG releases, distributed items and secondhand stuff. all APG releases
will be selling for $5. WOAH!

there will be a table called the history lesson featuring releases from adelaide’s past. relive (or discover)
labels like RIM OF HELL, HIP TO HATE, POPGUN and alot more.

there will be art from fantastic local artists ray harris, declan lee, debbie pryor, brad lay, celeste and
more.

and someone will be playing some records. entry is free.

then at night time you can come back after dinner and see the likes of HOME FOR THE DEF, AVIATOR
LANE, EMERGENCY CRANK RADIO and AVANT GARDENERS storming through some songs. that one’ll cost
ya $7 entry. visually appealing too.

RGIT will rule. it did last year and it can only be better this year. come along and meet old friends. meet

new friends. see what people are up to in this town. and start doing something yourself.

Also check out http://www.myspace.com/rgit

Finally, fans of the Shins might want to keep an eye out for a show in August.